(April 29, 2018) One of the many great, unsung act of the 1970s and 80s was Birmingham, Alabama’s own The Controllers. Today we are sad to inform SoulTrackers of the death of the baritone lead singer for the group, Reginald McArthur, at age 63.
Originally part of an eight-member gospel group, The Controllers became four in number by the time they entered junior high school, consisting of Reginald and Larry McArthur, Ricky Lewis and Lenard Brown. Their growing reputation in the Birmingham area led to an introduction to Cleveland Eaton, bassist for the Ramsey Lewis Trio. Under Eaton's guidance, The Soul Controllers, as they were then called, recorded their first single, called "Right On Brother, Right On". It became a regional hit while they were still attending Fairfield High School.
(April 29, 2018) One of the many great, unsung act of the 1970s and 80s was Birmingham, Alabama’s own The Controllers. Today we are sad to inform SoulTrackers of the death of the baritone lead singer for the group, Reginald McArthur, at age 63.
Originally part of an eight-member gospel group, The Controllers became four in number by the time they entered junior high school, consisting of Reginald and Larry McArthur, Ricky Lewis and Lenard Brown. Their growing reputation in the Birmingham area led to an introduction to Cleveland Eaton, bassist for the Ramsey Lewis Trio. Under Eaton's guidance, The Soul Controllers, as they were then called, recorded their first single, called "Right On Brother, Right On". It became a regional hit while they were still attending Fairfield High School.
In 1976, the group came to the attention of Juana Records, run by Frederick Knight, also from Birmingham. Recording at the Malaco Studios in Jackson, Mississippi, their first single on Juana charted, but it was their second release, "Somebody's Gotta Win, Somebody's Gotta Lose", that really established them. The song, a ballad lasting over eight minutes on the album, climbed to #8 on US Billboard R&B chart, and #3 on the Cash Box soul chart in 1977. The group's on-stage performances also helped them to open for Ray Charles, Nancy Wilson, B.B. King and The Temptations.
A follow-up ballad, "Heaven Is Only A Step Away" climbed to #37 R&B, but despite the release of two more albums on Juana, the group failed to find another major single success.
In 1983, the group signed with the late Jimmy Bee, a San Francisco based manager, and got a recording contract with MCA Records. Their first release on the label, "Crushed" (which featured Stevie Wonder on harmonica) returned them to the charts, reaching #30 R&B, in 1984 and two years later, "Stay" climbed to #12. Their cover version of the Marvin Gaye song, "Distant Lover" also proved popular. These hits led to a series of appearances on Soul Train and performances at the Radio City Music Hall and Carnegie Hall. During this time, the group also performed on MTV, BET's Video Soul and on HBO.
Under the guidance of Bee, the Controllers made a move to Capitol Records in 1989 for the album Just In Time, which failed to produce any hits but rekindled their popularity among the group's loyal following.
After a break from touring and recording, the four returned in the late 1990s, and joined Malaco Records for their self-produced album, Clear View, which contained a cover of Stevie Wonder's "Superstition", and a revised "Somebody's Gotta Win".
McArthur went on to host a syndicated talk show with Controller’s bandmat Lenard Brown called Inside The Juke Joint, where artists, songwriters, arrangers and musicians talk about their careers and lives.
In a period where talented vocal group’s abounded in the soul music world, Reginald McArthur and The Controllers set their own path that gave them a permanent place in music history. Rest In Peace, Mr. McArthur.
Thanks to SoulTracker Alva for letting us know.
Portions of this article licensed under the GNU Free Documentation License. It uses material from the Wikipedia article The Controllers